Donny McCaslin on NPR’s Piano Jazz

Posted by: jim on May 15, 2013 @ 9:53 am
Filed under: Donny McCaslin (News), Listening

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Setlist

“Take The ‘A’ Train” (E.K. Ellington, B. Strayhorn)
“Isfahan” (B. Strayhorn)
“Memphis Redux” (D. McCaslin)
“M” (D. McCaslin)
“All The Things You Are” (J. Kern, O. Hammerstein)
“Late Night Gospel” (D. McCaslin)
“What Is This Thing Called Love?” (C. Porter)

via npr.org | Tenor saxophonist Donny McCaslin got his start at age 12, when he began playing in his vibraphonist father’s band in Santa Cruz, Calif. That group played the Monterey Jazz Festival for three years. In 1984, McCaslin took a full scholarship to the Berklee College of Music in Boston; while there, he performed regularly in the area with Ken Schaphorst’s True Colors Big Band.

McCaslin then joined with another vibraphonist, Gary Burton, and toured the world with him for four years. After moving to New York City, he performed with the group Steps Ahead, and has also played with the Gil Evans Orchestra, Danilo Perez, Maria Schneider, John Medeski, the Dave Douglas Quintet and many others.

McCaslin has recorded 10 albums as a leader. His most recent release, Casting for Gravity, fuses jazz with electronic textures influenced by artists such as Aphex Twin and Boards of Canada.


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A Noise From The Deep Podcast Episode 4: Miles Okazaki

Posted by: jim on May 13, 2013 @ 2:03 pm
Filed under: Podcast
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Dave Douglas and Michael Bates host a conversation with American guitarist Miles Okazaki about how nature informs structure in his music, Dave talks about his Greenleaf Music record label, and the music of Herbie Nichols is spotlighted.

Here we are already posting Episode 4 of A Noise From The Deep, Greenleaf Music Podcast! Michael and I have a lot of fun making these, and it’s a pleasure to hear and talk about the music. This episode features the brilliant guitarist and composer Miles Okazaki. Go pick up his music if you haven’t heard it.

Please subscribe to the podcast at iTunes and help us spread the word about this music. We will keep making new free episodes so check back in every week or two for a new episode. And if you like them please leave a comment or review at iTunes, it helps people discover us.

Part of what we talk about on ANFTD is what we’re doing here at Greenleaf Music. There are always new projects: this year, new albums by myself, by Linda Oh and by Matt Ulery. We always hope to do more! And we try to make sure the model feeds the creative flow whether it’s touring, workshops, sheet music, mobile apps, this podcast, and the recorded music. You can join our Subscriber community for access to stream the entire catalog, our ever-expanding Subscriber Downloads catalog, advanced video, and much more. If you like what we are doing please visit our store to find out more.

As always, we also welcome your comments here at Greenleaf Music. Got someone you think we should talk to? Got a topic or question you’d like us to address? Send it to us here.

Thanks and happy listening.

Dave

Audio from this episode:

Intro: A Noise From the Deep – Dave Douglas & Keystone (Greenleaf Music)
Dozens – Miles Okazaki (Sunnyside)
Spiral – Miles Okazaki (Sunnyside)
Bach Cello Suite #4 in Eb BWV 1010 performed by Pablo Casals (EMI Classics)
Overture – Miles Okazaki (Sunnyside)
Loom – Miles Okazaki (Sunnyside)
Go-Go (Theme and Re-Introduction) – Miles Davis (Columbia)
Dozens – Miles Okazaki (Sunnyside)
Lymph Swag (Dance of the Leukocytes) – Steve Coleman
Come to Jesus – Dave Douglas Quintet (previously unreleased, Greenleaf Music)
Argumentative – Herbie Nichols trio (Bethlehem Records)
The Gig – Herbie Nichols trio (Blue Note)

Personnel:

Miles’ band on all his tracks is: Miguel Zenon-saxophone, Miles Okazaki-guitar, Thomas Morgan-bass, Dan Weiss-drums
The Steve Coleman track is from “Functional Arrhythmias” (PI recordings) Steve Coleman- saxophone, Jonathan Finlayson-trumpet, Miles Okazaki-guitar, Anthony Tidd-bass, Sean Rickman-drums
Miles Davis Quintet: Miles Davis-trumpet, George Coleman-saxophone, Herbie Hancock-piano, Ron Carter-bass, Tony Williams-drums
Herbie Nichols trio: Herbie Nichols-piano, Al McKibbon-bass, Max Roach-drums.

Explanations from Miles

1) An intervallic pathway visualization, connecting pentatonics (guitar, baby!), whole tone scales, and diminished 7th chords in a big modulating lattice. 2) The type of natural structure I got the idea from, something called "quasicrystals."

1) An intervallic pathway visualization, connecting pentatonics (guitar, baby!), whole tone scales, and diminished 7th chords in a big modulating lattice.
2) The type of natural structure I got the idea from, something called “quasicrystals.”

3) A rhythmic cycle visualization, where each "generation" of the rhythm is similar to the previous one, but more detailed, following a growth pattern from nature. 4) A Passion Flower, which has a similar kind of geometry.

3) A rhythmic cycle visualization, where each “generation” of the rhythm is similar to the previous one, but more detailed, following a growth pattern from nature.
4) A Passion Flower, which has a similar kind of geometry.


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More from the mailbox: Not knowing what to practice.

Posted by: Dave Douglas on May 2, 2013 @ 9:20 am
Filed under: Dave Douglas (Artist Thoughts), Education, Workshop

Thanks to all for writing and for your questions and thoughts. Always appreciated. For this recent one, I am going to paraphrase the question:

“Dave, I’m having trouble knowing what to practice. I feel like I am working a lot but not moving forward, and I’m a little frustrated at not knowing where to look for inspiration in my practicing and playing. Help.”

I have a few thoughts about what you’ve said. I broke them up into a few avenues of inquiry that you might find helpful.

First: Presence. A part of any activity in the arts is like meditation or simple awareness, depending on how you look at it. The meditative mind is a huge part of the practice of practice. Notice what’s going on around you and inside you. I’m reading a book right now called Rebel Buddha, which I wholeheartedly recommend. I am not a Buddhist (last year I actually reaffirmed my identity as a Christian, just… not the kind that believes in killing people… oof!). I feel like some quiet sitting and focus might sharpen your musical instincts. Add that as part of your eight hour day. Lots of manuals are available if you look. You probably already have at least one in your house. This is a way of focussing your presence so you can be more aware of what you are working on.

Second: Absence. Music is a subtle devil. So much of the power is in things we never think about or talk about. The power of absence in music — a quick concrete example is when you release a note as opposed to when you attack it. Your release creates an absence and is almost half the power of the note itself. Think about where and how your notes end. Think about how the silences in your rhythm make the music stronger. Think about how the wake of your notes makes the metronome swing.

Third: Tone. Profound element and how often do we work on that? Sit around playing long tones and tinkering, in a microscopic way, with the sound of the one note. Vibrato, dynamics, timbre, harmonics, articulation, smears, multi-phonics, growling, etc. all found in holding that one note. Listen to Billie Holiday and think about how many different ways (and how expressively!) she sings the same note every time it comes around. In some ways I feel like this is the development of taste, in a good way. When you get on the stage you want every note to be beautiful and powerful. Loaded with meaning.

Glad we talked.


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Dave Douglas interview for Cheltenham Jazz Festival 2013

Posted by: Dave Douglas on April 30, 2013 @ 10:38 am
Filed under: Dave Douglas (Artist Thoughts), Dave Douglas (News), Video

Got a chance to chat with one of my longest term supporters and biggest champions of jazz in the UK, Tony Dudley-Evans. We spoke about this weekend’s Cheltenham Festival in the lounge of the Royal Academy.


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A Noise From The Deep Podcast Episode 3: Dezron Douglas

Posted by: jim on April 22, 2013 @ 2:49 pm
Filed under: Podcast
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Dave & Michael talk with bassist Dezron Douglas about his music and the Hartford jazz scene. And Dave answers a letter from one of our listeners.

Let’s Ride-Dezron Douglas, “Live at Smalls” (Smalls Live)
Esoteric-Jaki Byard, Destination Out (Blue Note)
Prayer For Passive Resistance-Charles Mingus, 1956-1961 (Atlantic)
Power of One-Dezron Douglas, “Live at Smalls” (Smalls Live)
Nita-Dezron Douglas, “Live at Smalls” (Smalls Live)
Sophisticated Lady-Charles Mingus, 1956-1961 (Atlantic)
The Puppet-Dezron Douglas, “Live at Smalls” (Smalls Live)
Selah-JD Allen, Grace (Savant Records)
Minority-Dezron Douglas, “Live at Smalls” (Smalls Live)
Bridge to Nowhere-Dave Douglas, Time Travel (Greenleaf Music)


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Dave Douglas on WNYU’s The Phoenix today

Posted by: Dave Douglas on April 18, 2013 @ 4:23 pm
Filed under: Dave Douglas (Artist Thoughts), Dave Douglas (News), Listening

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I had a blast talking with Brandon Peckman at WNYU today. Stream our conversation by clicking the image above. Lots of music from different albums and periods of my work. Enjoy!

Playlist:
“Witness” GPS, Vol. 3: Bad Mango (Greenleaf Music) MP3 2011
“A SIngle Sky” A Single Sky (Greenleaf Music) MP3 2009
“Beware of Doug” Time Travel (Greenleaf Music) MP3 2013
“Red Emma” The Tiny Bell Trio (Songlines Recordings) MP3 1994
“Forward Flight” In Our Lifetime (New World) MP3 1995
“Millennium Bug” Magic Triangle / Leap of Faith (Greenleaf Music) MP3 2012
“Meaning and Mystery” Live at the Jazz Standard (Greenleaf Music) MP3 2007
“Flood Plain” Moonshine (Greenleaf Music) MP3 2007
“A Thousand Evenings” A Thousand Evenings (RCA) MP3 2000
“Be Still My Soul” Be Still (Greenleaf Music) MP3 2012
“Garden State” Time Travel (Greenleaf Music) CD 2013


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Dave Douglas Jazz Workshop, Part Three

Posted by: jim on April 17, 2013 @ 10:23 am
Filed under: Dave Douglas (News), Education, Events, Workshop

This Sunday, April 21, from 3pm to 6pm we will gather again at Shapeshifter Lab in Brooklyn. The main focus of this workshop will be reading the music from my sextet album Soul On Soul, dedicated to Mary Lou Williams. The Workshop will also consider elements of composition and performance, with plenty of time for questions and discussion. Come join us, you can play or just listen. Contact workshop@greenleafmusic.com for more information. We will also be looking to preparations for the final concert on May 30 in the same space.


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This Is Not The New Horn You Are Looking For.

Posted by: Dave Douglas on April 16, 2013 @ 10:41 am
Filed under: Dave Douglas (Artist Thoughts), Humor
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Many have asked if I switched to what looks like a lovely pocket trumpet. No! That is George Colligan in the recent issue of Downbeat. Wish I could take credit for Time Travel to Portland Jazz fest, but alas I wasn’t there this year.

Nice hat, though.

Thanks, George.


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Time Travel Release Day!

Posted by: jim on April 9, 2013 @ 6:30 am
Filed under: Dave Douglas (Updates), Events, Linda Oh (News), Releases
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It’s our esteemed privilege to bring a new Dave Douglas album into the world yet again. And he’s outdone himself on this one—as he always does!

You can read more on Time Travel here on Greenleaf, or by following the #ddTimeTravel hashtag on Twitter.

Time Travel also available at:
iTunes | Amazon


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UCO 5th Street Jazz Collective with special guest Dave Douglas

Posted by: jim on @ 5:21 am
Filed under: Dave Douglas (News), Education, Events

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Dave Douglas masterclass
at USC JazzLab
Free and open to the public

Click image for more info

 


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