For Levon.

Posted by: jim on April 20, 2012 @ 4:34 pm
Filed under: Listening

Dave asked me to post about Levon Helm knowing my love for his music. Dave actually got to play with him on the record Jericho. All of us at Greenleaf mourn the loss.

My heart sank a little bit earlier in the week when I heard that Levon Helm’s family issued a statement regarding his decline. After losing his voice a few years back from radiation treatments only to regain it and reinvigorate his career, I guess I hoped he’d pull through, again—he was only 71.

Get your musician friends together and ask the question: List the greatest singer/drummers of all time. Of course, Levon is on always mentioned on this list—along with the Phil Collins and the Don Henley. But Levon was so much more than just one of the top-tierers in this select-few category. And his work spans too much ground for him to be only on a list like that.

He was one of the greatest singers of all time in my mind. He’s the reason why a Canadian boy could write a song about The Night They Drove Old Dixie Down and have it come off as authentic and honest. As my friend Tony says, you can hear that drawled silent “p” at the end of the word “Yankee” in that song. And later, after resting his lost voice for years, he came back and found a new one, one that only seemed frail because you knew where it had been. But soon after, you forgot about it and just listened.

His drumming was so closely tied to the vocal phrase, too, and it’s something that some people forget because his drumming stands on it’s own as amazing. I remember seeing the DVD that came along with A Musical History box set (which is required listening in my circle) and him talking about punching a word with a kick drum or leaving space before the backbeat for the vocals. It’s this reason why I think he’s one of the greatest rock drummers. There was an argument back in high school between whether it was cooler to groove or cooler to rock. Setting aside the ridiculousness of that question, Levon was one of those rare players that seemed to embody both of those concurrently, never overplaying and always feeling head-bobbingly urgent.

The Band was so much more to me than just a band. I have rocknroll friends that aren’t into them. But I always have to say, just like with other band like Big Star and Tom Petty: If you play rocknroll, you like them—you just don’t know it or won’t admit it. Ever wanted to go out to the woods and record your record with your best friends? You know, get away from the city to clear your head and write your roots record? Yeah, well The Band practically invented that with Big Pink. Plus, they got Scorsese to film their final all-night concert playing with Neil Young, Ronnie Hawkins, Muddy Waters, Joni, Clapton, Ringo, and so many other who’s-who names.

And while The Band may be what Levon is best remembered for, he did so much after all the Big Pink’s and all subsequent legal disputes among that group. Electric Dirt from 2009 is an incredible album for example. Take this opportunity to go back through his catalog. I guarantee you’ll find some gems.

I’ll miss Levon. I was already missing Rick Danko and Richard Manuel. Levon might take me longer to heal from, though. I never made it to a Midnight Ramble and had planned to go last year, but the always regrettable something came up.

But ah well, it’s not about me. It’s about Levon.

“It’s time for you to dream away. Because what a big day you’ve been through. You’ve done all the things that you wanted to do.”


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Stream “Ultimate Persona” by Linda Oh from her forthcoming album “Initial Here”

Posted by: jim on April 3, 2012 @ 3:43 pm
Filed under: Linda Oh (News), Listening

Track 1 from Linda Oh’s album Initial Here released on Greenleaf Music May 22nd, 2012.

PERSONNEL: Linda Oh, bass; Dayna Stephens, tenor sax; Fabian Almazan, piano; Rudy Royston, drums

“This album tells a story about identity. Cultural identity and musical identity. I wanted to go in a few different directions to explore some more extreme emotions.” —Linda Oh

The opening track, “Ultimate Persona” deals most directly with the idea of personal identity, inspired by the landmark Ingmar Bergman film Persona. It begins the album with a driving rhythmic figure inspired by an Indian polyrhythm cycle. “Persona is such an amazing, powerful film because it goes through so many ups and downs,” Oh says. “I wanted something that intense to start the record. It’s about striving to be something beyond what we are.”


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Dave Douglas: American Maverick Playlist at WQXR

Posted by: jim on March 16, 2012 @ 6:47 am
Filed under: Dave Douglas (Artist Thoughts), Listening

“American Mavericks” is a term that gets thrown around a lot, and with good reason. America’s musical history is filled with bold original thinkers, composers who court enormous risk by departing from ‘standard operating procedure,’ musicians who take it upon themselves to envision an unfettered way forward in music, and sound artists who venture to the very roots of hearing to find their own modes of expression.

“True to the maverick esthetic, each of these composers has his or her own story to tell. Not one of them has the same working process–in fact, one of the most inspiring things about this list is how different each of them are. In the case of Mary Lou Williams, the 30 year span between these two pieces demonstrates how freely she was able to work with vastly different materials and still come up with music that was wholly her own. Maybe that is the American maverick spirit: the freedom to define oneself as one sees fit, and to draw strength from that individuality, ultimately feeding it back into the universal parade that is our ongoing culture. I had to leave many out, but for me these are a few gems, listed in chronological order.” -Dave Douglas

The Playlist

John Cage, Imaginary Landscape No. 2, 1942, Works for Percussion – Quatuor Helios
Mary Lou Williams, Aries (original version), 1943, The Zodiac Suite
Harry Partch, Wayward: III The Letter, 1943
Earle Brown, Octet I for Eight Loudspeakers, 1953
Roscoe Mitchell, Ornette, 1966, Sound
Carla Bley, The New Funeral March, 1967, Genuine Tong Funeral
Conlon Nancarrow, Studies for Player Piano No. 5, c. 1968, Studies – Ensemble Moderne
Wadada Leo Smith, The Bell, 1968, 3 Compositions of New Jazz
Mary Lou Williams, Lamb of God, 1972, Mary Lou’s Mass
Anthony Braxton, Composition 40(O), 1976, Quartet (Dortmund)
Henry Threadgill, Award The Squadett, 1987, Easily Slip Into Another World
Mel Powell, Setting for two pianos, c. 1990


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Happy Presidents Day

Posted by: jim on February 20, 2012 @ 3:52 pm
Filed under: Dave Douglas (Updates), Greenleaf Music News, Listening


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[AUDIO] Stream Moonshine by Key Motion Quintet

Posted by: jim on December 19, 2011 @ 9:48 pm
Filed under: Dave Douglas (News), Donny McCaslin (News), Listening, Music, Perpetual Motion

We have our ace team of engineers mixing some audio from the GPS celebration at Jazz Standard. The stream below was just too good to keep to ourselves while the others get finished. Moonshine—originally the title track on the 2006 release under Dave Douglas & Keystone—as performed by the Key Motion Quintet is now available to stream below. Subscribers can expect a high-res download of this and some other choice cuts.

Key Motion Quintet, Live at Jazz Standard 12/8/11
Dave Douglas, Donny McCaslin
Adam Benjamin, Tim Lefebvre, Mark Guiliana


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Key Motion Quintet: Split Personality/Five Hands Down [Digital Single, Subscriber Exclusive]

Posted by: jim on December 5, 2011 @ 8:13 pm
Filed under: Dave Douglas (Updates), Donny McCaslin (News), Keystone, Listening, Perpetual Motion, Subscriber News

 

There’s a new Subscriber download this month from the Key Motion Quintet co-led by Dave Douglas and Donny McCaslin recorded earlier this year in Salzau. Check out the Douglas composition Split Personality above via Soundcloud. Subscribers can download both this track and the “b-side”—McCaslin’s Five Hands Down—as MP3s or lossless FLAC audio.

Check out this band live at Jazz Standard this Thursday.


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[VIDEO] Kneebody / Live at the Blue Whale

Posted by: jim on November 10, 2011 @ 9:24 pm
Filed under: Kneebody (Updates), Listening, Video

Yesterday we saw our friends Kneebody post some concert footage from a recent show at the Blue Whale in LA. We shared on Dave’s Facebook, but just in case you aren’t connected over there, you can watch the performance via the Youtube playlist below. Enjoy the show.

(more…)


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Dave Douglas talks Kenny Wheeler

Posted by: jim on October 18, 2011 @ 5:41 pm
Filed under: Dave Douglas (Artist Thoughts), Listening

Dave recently gave an interview to Peter Hum at the Ottawa Citizen blog talking about trumpeter Kenny Wheeler. The full 4-question interview can be read here. Below is an excerpt detailing some of Dave’s favorite recordings of Kenny. Wheeler is one of our favorite players around the office. We highly recommend all of these recordings—and his whole catalog for that matter!

Windmill Tilter

I discovered it in reissue recently, and feel that the writing and playing confirms Kenny’s sound early in his career and demonstrates his long fascination with trumpeter Booker Little.
Buy at Amazon ›››

Anthony Braxton Quartet

Some of the knottiest melodies and most intricate interplay on record. Kenny demonstrated that Braxton’s music could actually be played on a brass instrument. At least by him. He set the bar high for all of us on those recordings.

Gnu High

In particular the tune Smatter, which I learned at music school, Berklee.
Buy at Amazon ›››

Music for Large and Small Ensembles

This is where all the elements come together on record — the lyrics, the composing and arranging, the magisterial trumpet solos. A masterpiece.
Buy at Amazon ›››

Rambler

The Bill Frisell album from the late 80s. If you could wear out the grooves on a CD, my copy would be shot.
Buy at Amazon ›››

Angel Song

Gorgeous quartet recording with Lee Konitz, Bill Frisell, and Dave Holland.
Buy at Amazon ›››

A Long Time Ago

All brass!
Buy at Amazon ›››


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VIDEO: Bad Mango from GPS3: Bad Mango

Posted by: jim on October 6, 2011 @ 5:45 pm
Filed under: Dave Douglas (Updates), Greenleaf Portable Series (GPS), Listening, Video

Check out photos from the Bad Mango recording session at the So Percussion Studio while listening to the title track from the album. Preorder the digital album at iTunes or at Greenleaf webstore.

Personnel: Dave Douglas (trumpet), Eric Beach (estey organ, Ableton, musical saw, toys, metronomes, shruti box, crotales), Adam Sliwinski (marimba, toys, concert bass drum, glockenspiel), Jason Treuting (drumset, melodica, deskbells), Josh Quillen (korg synthesizer, vocoder, kick drum, snare drum, ride cymbal)

Recorded by Tyler Mcdiarmid and Geoff Countryman at So Percussion Studio.


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Donny McCaslin at Monterey, listen at NPR

Posted by: jim on September 22, 2011 @ 3:57 pm
Filed under: Donny McCaslin (News), Events, Listening, Perpetual Motion

Listen to Donny McCaslin at Monterey Jazz Festival

Donny McCaslin, tenor saxophone
Uri Caine, piano/electric piano
Fima Ephron, electric bass
Mark Guiliana, drums


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