Dave Douglas: Jazz Hymns Honor A Dying Wish | via NPR

Posted by: jim on December 16, 2012 @ 10:06 pm
Filed under: Dave Douglas (News), Press

via NPR:
Dave Douglas has been an important player in the jazz world for more than two decades, producing a broad body of work as both a trumpet player and a composer. His newest album, Be Still, has a bittersweet backstory: It contains his arrangements of several hymns that his dying mother asked him to perform at her funeral service.

“She was towards the end of a long struggle against ovarian cancer, and we had the time to have those conversations that I feel so lucky to have had now that she’s gone,” Douglas says. “As anyone who’s lost a parent recently knows, that’s the best feeling — that you really had this communication, and you really shared what was there to share up until the end.”

To make Be Still, Douglas enlisted a new quintet and, for the first time in his career, a vocalist. Here, he discusses the making of the record with NPR’s Rachel Martin; click the audio link on this page to hear more.


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Matt Ulery’s By A Little Light in NPR’s Best Music of 2012

Posted by: jim on December 5, 2012 @ 5:02 pm
Filed under: Matt Ulery (news), Press

MATT ULERY — BY A LITTLE LIGHT

“There are lots of pleasant records where jazz bands meet string sections. This one’s beautiful.” —Patrick Jarenwattananon, NPR Music

View NPR Music’s Top 50 Albums of 2012
View NPR Music’s Top 10 Jazz Albums of 2012


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The Many Voices…

Posted by: jim on November 20, 2012 @ 4:07 pm
Filed under: Dave Douglas (News), Donny McCaslin (News), Greenleaf Portable Series (GPS), Linda Oh (News), Press

Will Layman has written a fantastic article called The Many Voices of Trumpeter and Composer Dave Douglas at PopMatters. Dave’s latest album Be Still is represented, but also some kind words about other label releases from Donny McCaslin and Linda Oh and how they fit into the “big tent” that is the musical world of DD.

The Many Voices of Trumpeter and Composer Dave Douglas

By Will Layman

The most moving music of 2012 for me has surely been the collection Be Still, by trumpeter Dave Douglas. A serene and shimmering marriage between jazz and devotional hymns, Be Still was inspired by the death of Douglas’s mother—and it extinguished any notion that jazz is all cerebellum and no heart.

That this great work should come from Douglas in 2012 is hardly a surprise. Douglas has been a critical voice—and recently a critical mentor to younger players—in jazz for 20 years. And that it should mean that much to me is also not surprise. Douglas and I grew up in the place and time as I did, and—as he reflects the loss of his parents in his music—has many of my own concerns in his heart.

His music is personal. Putting aside Be Still, that may seem odd, as he is mainly a voice in today’s post-modern jazz, a realm of much abstraction not usually given to autobiography or confession. But Douglas’s work is personal because its incredible range and diversity, taken as a whole, is a portrait of a brilliant and complete man.

The last year shows this with perfect clarity. You can forget the broad swath of his work from previous years: his music for silent movie soundtracks, his use of turntables and electronics, his immersion in Balkan music and his album of Joni Mitchell covers. Douglas’s released music in the last 12 months is enough to suggest that he is the most interesting and heartfelt jazz musician in recent times.

(more…)


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Be Still review in Stereophile

Posted by: jim on October 9, 2012 @ 3:18 pm
Filed under: Dave Douglas (News), Press

Some very kind words from Fred Kaplan at Stereophile.

Dave Douglas’ Be Still (on the trumpeter’s own Greenleaf Music label) is his most sheer-gorgeous album since the 1998 Charms of the Night Sky and one of the best-sounding new recordings that I’ve heard by anybody in quite a while. And it’s available on LP as well as CD.

And, a brief bit about the vinyl we pressed.

The LP was mastered by Mark Wilder from the 24/96 files (as was the CD) and cut on 180gm vinyl, via Direct Metal Mastering, at Pirate’s Press in San Francisco (though my colleague Michael Fremer says Pirate’s Press is a forwarding house and that the work was probably done by GZ in the Czech Republic, which also did the Decca/Abkco Stones box). The vinyl pressing is very quiet and slightly better than the CD: you hear a bit more of the fingerwork on the bass, there’s more air surrounding the horns, a little extra sizzle on the drums. But in either medium, this is a splendid album in every way.

Read the full review here.


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Casting for Gravity: Donny McCaslin’s Adventure Into Electronica via HuffPost

Posted by: jim on September 25, 2012 @ 5:50 pm
Filed under: Donny McCaslin (News), Press

Read the full article ›››


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Summer Listening: Matt Ulery’s “By A Little Light” Reviewed

Posted by: jim on June 20, 2012 @ 4:35 pm
Filed under: Matt Ulery (news), Press

Press is rolling in for Matt Ulery’s latest album, By A Little Light which released yesterday. Many thanks to Howard Reich at the Chicago Tribune for his kind words.

“This magical, profoundly musical release embraces more aesthetic influences than one might have thought a cohesive recording could. …the originality and purling beauty of this release cannot be overstated.”

Another thoughtful review at Bird Is The Worm.

“Nothing about this music is small. Even the nuances possess a weight that belies their brief moments in the spotlight. Piano is given lots of room to roam and explore, while drums stamp it on the map. When not gingerly tiptoeing through the scene, strings make dreamy pronouncements, while vibes and trumpet shade the edges.”

At eMusic, Dave Sumner weighs in and gives By A Little Light the PICK OF THE WEEK status.

“a masterpiece of grand vision and soaring compositions. Built around two separate piano trios, Ulery adds violinist Zach Brock, vocalist Grazyna Auguscik, and members of the Eighth Blackbird ensemble for a spectacular set of music. Pick of the Week.”

And to top all that off, By A Little Light received 4 1/2 stars in the July issue of Downbeat.

“Two beautiful, emotional works…There are no cheap musical tricks or shortcuts here; “By A Little Light”… are fully formed pieces that embrace a range of musical styles.”


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Linda Oh’s Initial Here reviewed in NY Times

Posted by: jim on May 23, 2012 @ 5:48 pm
Filed under: Linda Oh (News), Press

A great review of Linda’s new music at the New York Times by Ben Ratliff.

Casual listeners to jazz who might not tune into big differences between bass players would notice Linda Oh.

Her music leans forward at you. She has a percussive touch, graceful and sometimes aggressive, and she likes playing fast, walking or soloing or delivering a jagged ostinato. She’s justifying the role of bassist as bandleader, starting the tunes, pushing the band, delivering clean, strong rhythm and melody.

Click to read the full review.


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Initial Here, 4 Stars in Downbeat Magazine

Posted by: jim on May 8, 2012 @ 5:53 pm
Filed under: Linda Oh (News), Press

Click the thumbnail to read the full review. A very big thanks to Michael Jackson and everyone at Downbeat for the kind words about Initial Here.

We’re really excited to get this album out for the world to hear. Get your preorder in at the Greenleaf store or over at iTunes.

And make sure you Like Linda on Facebook and Follow her on Twitter so you can stay current with news.


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Perpetual Motion named Best of 2011 by Boston Globe

Posted by: jim on January 13, 2012 @ 4:08 pm
Filed under: Donny McCaslin (News), Perpetual Motion, Press

Donny McCaslin’s 2011 album Perpetual Motion was listed as one of the top albums of the year by the Boston Globe. Congrats to Donny and all the musicians that made that record such a spectacular listen. And thanks to the Boston Globe for the nod.

Read the feature at BostonGlobe.com


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Dave Douglas, Three Views on Fresh Air

Posted by: jim on December 16, 2011 @ 4:59 pm
Filed under: Dave Douglas (News), Greenleaf Portable Series (GPS), Press

Click below to stream the rundown of the GPS series as collected in the Three Views box set on NPR’s Fresh Air.

These programs are kept short, averaging about 40 minutes each, like an LP. Dave Douglas says they’re meant to recall the informal albums jazz musicians recorded in the 1950s. But these sessions don’t sound like one-day quickies, no matter how fast they came together.


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