In-demand drummer Rudy Royston (Bill Frisell, Dave Douglas, Ravi Coltrane, Branford Marsalis) debuts his new trio on Rise of Orion. Rudy Royston’s sophomore Greenleaf Music album Rise of Orion features a chordless trio with saxophone standout and Thelonious Monk Competition Winner Jon Irabagon, and bass virtuoso Yasushi Nakamura. This 13 track record is Royston’s offering of “hope and love” with 11 originals and interpretations of Bill Withers’ Make a Smile For Me and Henry Purcell’s Dido’s Lament.
In the years between the two World Wars, the Dada movement questioned, altered, teased and undermined the very idea of art. A century later, trumpeter Dave Douglas and pianist Frank Woeste draw inspiration from that “art of reinvention” with their collaborative album Dada People, due out October 2016 via Greenleaf Music. Perhaps no single artist embodies Dada’s slippery juxtapositions quite like Man Ray. Both French and American, commercial and avant-garde, Jewish by birth and mysterious by design, Man Ray epitomized the conflicting personae and attitudes that have come to define so …MORE
Charles Mingus’ The Black Saint and The Sinner Lady is one of the most lauded records in jazz history – its lush orchestration, its breadth of territory, its uncompromising integrity and vision all contribute to its enduring allure. Recorded in 1963 with an 11 piece band, the 39 minute, continuous composition was described by Mingus as "ethnic folk-dance music", as it was originally scored and conceived as a six-part ballet. In 2014, Roell Schmidt–executive director of the Chicago performing arts center Link’s Hall–heard Black Saint and was floored. Schmidt quickly went to Chicago jazz …MORE
With the 2015 release of High Risk, Dave Douglas, Shigeto, Jonathan Maron, and Mark Guiliana proved they could produce an album where avant-jazz and electronic music met in a spacey atmospheric middle ground, delivering something new in the world of genre. Melding traditional instrumentation and modern electronic music production challenges the ideals of both the traditional term “jazz” as well as the modern term “electronic music.” Pitchfork described it as, “Simultaneously chill and surprising, it’s the sound of a group discovering a valid language, and then proceeding to push …MORE
Azul Infinito, which features Ryan Keberle’s signature band, Catharsis, includes the vocals of Chilean singer Camila Meza, alongside a frontline of Keberle and GRAMMY-nominated trumpeter Mike Rodriguez, Peruvian-born bassist Jorge Roeder and drummer Eric Doob, creates a continuity of sound and aesthetic that could only have resulted from constant playing (often monthly around New York) for the past four years. From this continuity, they breathe as one and express a band aesthetic. For Keberle, American music’s emotional power, which stems from the blues, is reflected in similarly …MORE
Dave Douglas writes a brand new suite for Monash Art Ensemble, an improvising chamber orchestra including some of Melbourne’s finest players. Scored for four winds, four brass, four strings, and four percussion, including electronics, Fabliaux introduces new language into the vernacular of contemporary improvised music, looking forward while looking back. Fabliaux draws inspiration from composers of the early 14th century French Ars Nova, most notably Guillaume De Machaut. Using ideas of hocket, isorhythm, and modal counterpoint as points of departure, Fabliaux takes the …MORE